Одноальбомные группы, и ничего другого Опции

[SimplyYuri]

Autosalvage - Autosalvage (1968) prog rock



01. Auto Salvage
02. Burglar Song
03. Rampant Generalities
04. Medley: a) Our Life As We Lived
05. Medley: b) Good Morning Blues
06. Ancestral Wants
07. A Hundred Days
08. Land Of Their Dreams
09. Parahighway
10. Medley: a) The Great Brain Robbery
11. Medley: b) Glimpses Of The Next World's World

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[SimplyYuri]

Melodic Energy Commission - Moon Phase Compendium (1979-1980, 1997) prog rock, ответвление знаменитой группы Hawkwind. Всю информацию о группе и этом компакт-диске см. здесь.



01. Plight Of The Dodo
02. Galloop
03. Rider From Nempnett Thrubwell
04. Migration Of The Snails
05. Escargot
06. Off On A Current
07. Gastropods In Transit
08. Doorway Into Summer
09. Silver Spider
10. Scientific
11. Stranger In Mystery
12. Then Night
13. No Familiar Planets Tonight
14. Song Of The Delatron
15. Revise The Scene

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[SimplyYuri]

Geronimo Black - Geronimo Black (1972) hard rock



01. Low Ridin' Man
02. Siesta
03. Other Man
04. County Jail '59 C/S
05. Let Us Live
06. Bullwhip
07. Quaker's Earthquake
08. Gone
09. American National Anthem
10. '59 Chevy [*]

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[SimplyYuri]

Sex - Sex (1970) + The End Of My Life (1971) Hard/Bluesy/Prog Rock, раритет

Цитата: A French Canadian band from Montreal, Quebec, whose lyrics are English. Both their albums are now rare. The first leans very much towards hard rock with sledgehammer drums, thundering rhythm, furious guitar leads and wasted vocals. There's some nice woodwind on Come, Wake Up!; some pleasant mouth harp on Try and some fuzzy guitar on Night Symphony and Love Is A Game; but overall the menu's heavy-handed bluesy hard rock. The first 45 was culled from this album. All the material was penned by Gratton, Rousseau and Trepanier. The lyrics are very much in the spin of their name, particularly the final cut and I Had To Rape Her. For hard rockers only! Prior to their second album Pierre Ouellette was added to the line-up. The End Of My Life was more progressive than their first effort. The vocals are in the same wasted style as their first effort, but the instrumentation is usually more experimental and less heavy handed. Their second 45 was taken from this album and probably comprised its best tracks. Interesting but not entirely convincing!

Sex 1970
1. Scratch My Back
2. Not Yet
3. Doctor
4. I Had to Rape Her
5. Come, Wake Up
6. Try
7. Night Symphony
8. Love Is a Game

The end of my life 1971
1. Born to love
2. I'm starting my life today
3. Emotions
4. Pleasure
5. See
6. Syphilissia
7. The end of my life

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[pinero]

VALHALLA - "Valhalla" - 1969 (США)
Оценка - 8/10
Стиль - Hard-rock

Radioactive RRCD074



Состав:
Mark Mangold - piano/organ/vocal
Rick Ambrose - bass/guitar/vocal
Don Krantz - guitar/bass
Eddie Livingston - drums
Bob Nuling - vocal/percussion

Цитата: Американский "кислотный" хард-рок - понятие не типичное, но оно наиболее полно дает представление о музыке VALHALLA, коллективе конца 60х годов. Их единственный альбом, появившийся в 1969м, был переполнен "яростным" органом и задушевными мелодиями. Последнее вообще надо отнести к явным достоинствам группы, так как вещи вроде Ladies in waiting или Conceit без труда могли бы стать хитами, получи они должную раскрутку. Все лучшее, что было необходимо - запоминающийся мотив и экспрессивность исполнения - было через край. Динамику пластики составили тяжелые ритм энд блюзовые номера, с лидирующими клавишными (Hard times, I'm not askin', Heads are free). Но еще треть альбома (Deacon, Overseas symphony) имела какой-то прото-проговый уклон, что не смогло не сказать на общем впечатлении. Ведь если детская наивность в балладах и "боевиках" придавала весьма своеобразное очарование, то тут картина портилась капитально. В любом случае, их альбом - наглядный пример группы конца 60х, не сумевшей в полной мере реализовать свои возможности, но заслуживающей лучшей участи, нежели полное забвение. Горяинов Олег (Perry)

01 Hard Times
02 Conceit
03 Ladies In Waiting
04 I'n Not Askin
05 Deacon
06 Heads Are Free
07 Roof Top Man
08 Jbt
09 Conversation
10 Overseas Symphony

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[SimplyYuri]

The Charlatans - The Amazing Charlatans (1996)





Эта группа - яркий представитель психоделической сцены Сан-Франциско периода 1965-1967 гг. На этом компакт-диске содержатся отреставрированные записи, взятые с оригинальных аналоговых мастер-лент, а также с ацетатных пленок. Не путайте эту группу с несколькими одноименными

01. Codine Blues
02. Alabama Bound
03. I Always Wanted a Girl Like You
04. I Saw Her
05. How Can I Miss You When You Won't Go Away
06. 32-20
07. We're Not On the Same Trip
08. Walkin'
09. Sweet Sue Just You
10. East Virginia
11. The Shadow Knows
12. I Got Mine
13. Steppin' in Society
14. Devil Got My Man
15. By Hook Or By Crook
16. 'Long Come a Viper
17. Sidetrack
18. Alabama Bound
19. Number One
20. Baby Won't You Tell Me
21. Jack of Diamonds
22. The Blues Ain't Nothin'
23. Groom'N'Clean Ad

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[SimplyYuri]

Electric Food - 1970 - Electric Food + 1971 - Flash (2004 Mason)

Цитата: Германская группа ELECTRIC FOOD был чисто студийным проектом музыкантов – участников групп Lucifer's Friend и German Bonds, которые позже стали настоящими легендами краут-рока. Очевидно, те же исполнители стоят и за проектами Air Mail и Pink Mice. В 1970-ом году появилась одноимённая пластинка "Electric Food“, а в 1971-ом вышла следующая - "Flash". Хотя ELECTRIC FOOD не сочиняли музыку для радиопьес, их композиции частенько использовались в различных передачах. Некоторые вещи вполне можно считать демо-версиями песен Lucifer's Friend и Pink Mice. Состав группы (с полным послужным списком): Петер Хесслайн - гитара / бэк-вокал (Тhe Giants; Rattles; Asterix; Brother T & Family; Hepp; Hardy; Lucifer's Friend; Okko; Pink Mice; Propeller; James Last Orchestra) Петер Хехт – клавишные (AR (Achim Reichel) & Machines; Asterix; Bokaj Retsiem; Brother T & Family; German Bonds; Lucifer's Friend; Pink Mice) Иоахим "Адди" Ритенбах – ударные (Asterix; Brother T & Family; Lucifer's Friend; Pink Mice) Дитер Хорнс – бас-гитара (Asterix; Bokaj Retsiem; Brother T & Family; German Bonds; Hepp, Hardy; Lucifer's Friend; Pink Mice) Георг Маврос – вокал (Тhe Giants – ударные, вокал; New Comix – ударные, вокал; German Bonds; Rattles; солопроект George Monro) Специально для "Born on the Road: Easy Rider" приглашался также "Арчи" Вилкенс на гитарные партии.

Сильно напоминает Led Zeppelin.

01 - Whole Lotta Love
02 - The Reason Why
03 - Hey Down
04 - Tavern
05 - Going To See My Mother
06 - House of The Rising Sun
07 - Let's Work Together
08 - Sule Skerry
09 - Nosferatu
10 - Twelve Months And A Day
11 - Icerose
12 - I'll Try
13 - All Right Now
14 - Sam's Walk
15 - Love Me
16 - People
17 - Working On The Railroad
18 - Randall
19 - Love Like A Man
20 - Sam's Talk
21 - I Can See Somebody
22 - Andy's Breakdown
23 - Give Me Love
24 - Plantation

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[crimson08]

SHUTTAH - The Image Maker Vol 1 & 2 1971 (2CD)

Цитата: This is the rarest of unknown, anonymous English prog-psych from 1971, with only one known copy left in existence -- a perfect acetate. The Image Maker Vol. 1 & 2 is a real underground concept album with a progressive touch that only needs a few spins to get it right. Well-crafted songs, great vocals, sound-effects, organ and heavy fuzz guitar all combine to make up one of the better albums on the Vertigo label with a good dose of acid in it. Shadoks Music spoke to Geoff Oliver, the former owner of IBC recording studios, but he could not remember any of the recordings made by Shuttah in his studio -- there were just too many engineers busy at the same time, during those golden days of the London underground, where studios were recording music which became big hits. IBC was famous for making recordings for bands such as The Kinks, The Who and The Beatles, plus many, many others, which leads one to the conclusion that this recording of Shuttah was very expensive to make, so there MUST be a famous musician behind it. The recording, arrangements and concepts are on a very high professional level. Even a search at UK copyright control did not show any results revealing the identity of who, exactly, Shuttah was. Since the original acetates appeared many years ago, this is still a very provocative unsolved mystery of the UK underground. The word Shuttah is a religious reference, if you have a Bible handy. The title of the album The Image Maker also suits the religious meaning. rockadrome.com

Disc 1:
01. Image Maker
02. Bull Run
03. Cry Me Little Darling
04. Lady Smith
05. Vilage Green
06. The Grimp
07. Christmas 1914
08. The Fens

Disc 2:
01. Guernica
02. World War II.
03. Concrete
04. Imjin
05. She's Ab Bad Girl
06. The Wizzard
07. Tell Me Why
08. Conclusion

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[crimson08]

THE CHARLES FORD BAND - 1972

Цитата: Recorded after the quartet had packed it in, their sole vinyl document inevitably left much to be desired for anyone who'd witnessed their through-the-roof club appearances. Still, the expressive opener, "Blue and Lonesome," manages to create a space of its own, avoiding comparisons with Little Walter's original. Middle brother Robben's expressive vocals defy his 20 years, and his Bloomfield-inspired guitar playing is even more authoritative. Meanwhile harmonica-playing Mark, only age 18, gives Butterfield a run for his money. A later CD reissue gives a glimpse at the band's jazz leaning with a live rendition of John Coltrane's "The Promise." ~ allmusic.com

01. Blue And Lonesome
02. Gibson Creek Shuffle
03. My Time After A While
04. Rest My Mind On Jesus
05. Reconsider Baby
06. Black Night
07. Wild Woman
08. I Know What You're Putting Down
09. Live The Life I Love (#)
10. Tell Him I Was Flyin' (#)
11. The Promise (#)

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Сообщение отредактировал crimson08 - 3.10.2008, 17:22

[crimson08]

BOHEMIA - Zrnko pisku 1977 (Czechoslovakia)

Цитата: Jan Kubík and Vladimír Kulhánek had previously played in the legendary group Flamengo. In 1975 they formed a new-group Bohemia with Lešek Semelka (previously of Modrý Efekt). Trio was later joined by the jazz-rock youngsters Michal Pavlíček on guitar, Pavel Trnavský on drums and two guest musicians, conga player Jiří Tomek & Michael Kocáb - keyboards. The music of Bohemia must be classified as symphonic art-rock via jazz-rock with some elements from Bohemian folk music. The long tracks feature flute, sax, electric piano, ARP synthesizer and electric guitar in elegant solos on five long tracks. Most of the material was penned by Kubík, the lyrics on the vocal tracks usually came from Pavel Vrba. Lešek Semelka's unique, bright voice adds the icing to the cake. Regretably, Bohemia's career proved to be short and Semelka returned to his old group, now re-named to M. Efekt. Michal Pavlíček and Michael Kocáb would later collaborate on countless projects ranging from new wave, jazz-rock to contemporary classical music.

01. Chór minulých nohou v průchodu pasáž
02. Zátiší peronních listků
03. Sen o snu
04. Horké letní stmívání
05. Milenci před Pollockovým obrazem
06. Co mi brání (#)
07. Vina křídel (#)
08. King Gong (#)
09. U studánky (#)
10. Navštěva ve Zverexu (#)
11. Bulgaria expres (#)

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